After watching the wonderful PBS American Masters documentary Harper Lee: Hey Boo, I pulled down my old copy of To Kill a Mockingbird with the intention of rereading it. I believed I’d read it in high school. I knew the story, and I thought the book had just faded from memory.
Perhaps I was certain I’d read it because it’s been sitting on my shelf for so many decades since I rescued it from my mother’s damp garage. She’d loved it and had written her name and declaration of possession in careful script on the front endpaper. Wondering what the value of such a book might be, I searched the Internet and was floored to see less battered versions of my “true first edition” selling for anywhere from twelve to twenty-five thousand dollars. Torn between my desire to read and preserve, I decided to buy the cheapest paperback I could find. And as I sank into it and under Ms. Lee’s spell, I instantly realized I was reading this book for the first time and had created a memory of reading it due to the book’s physical presence on my shelf as well as its place in our collective consciousness. Read More





I think I was inadvertently and divinely prepped before seeing the Off-Broadway play Blood from a Stone by Tommy Nohilly last night. For the last few weeks I’ve been editing some stunning books about life and death, anger and forgiveness, and compassion. I’ve also been speeding down a runway to a “big” birthday—eliciting my keen awareness of how fleeting our time is and how I don’t want to squander it feeling lousy. And I’ve been inexplicably waking at 3 a.m., getting up, and spontaneously meditating. I recommend all of these preparations before seeing Blood from a Stone. Or none.
I dislike buying bras so I do it only when I must — about once a decade I buy a bunch and wear them until they stretch out. Well, bra day is here, and I decide to go to J.C. Penney because I hope it will be cheaper than where I usually go and it's en route from where I'm working.
I’ve just finished reading The Holy Woman, the self-published third book of Susan Trott’s formerly commercially published “The Holy Man” trilogy. Like the first two books (The Holy Man and The Holy Man’s Journey), The Holy Woman is deceptively simple and charming. But what a complex story about our human drive to “get,” to achieve status or stuff, to win.
For a person who’s not really into acquiring things, I’m amazed at how much stuff I have: a whole wall of books, three file cabinets of manuscripts, and then there’s the music — the tapes and CDs, not to mention my collection of 33 1/3 records that take up two feet of floor in my bedroom and simply cannot be discarded.